This superhero origin story achieves the same effect as the Deadpool film, while at the same time fulfilling the promises inherent in the genre of space opera comedies. Ray Gunn and Starburst starts off a little lackluster. There’s nothing new here, aside from the fourth wall breaking, and even then that feels like a gimmick. It’s not until episode three when we learn of the larger world and thus the stakes of the galaxy.
That being said, the evil overlord is not all that threatening and his terror comes from characters reacting to him rather than him doing anything all that evil. If you’re the kind of person who enjoys a good villain, you may be disappointed. They do rectify this in the last episode, but by that point it’s too little too late.
The cast of characters are a delight and the ending surprisingly works, despite it essentially being deus ex machina. I won’t spoil the end other than to say the fourth wall break keeps it from being a poor story choice.
Ray Gunn and Starburst is a breath of fresh air for the audio drama medium, because it adds something new to the overpopulated space opera comedy genre. Also, if you’re a fan of fourth wall breaking, you’ll certainly get a kick out of this. It’s not quite the same as Deadpool, because it’s not the character who breaks it, but it’s still very much the same in theory. The foreshadowing commercials are a nice twist on the typical fake advertisements found in shows such as Hadron Gospel Hour as they serve more than one function.