This is where things get interesting, but not a lot is answered. The listener can now conclude, if they haven’t already, that the seven different kidnappings were part of some larger scheme. What makes this chapter interesting is the POV character, John, who has been selected to be the eyes and ears of the listener. For those playing the home game, John is the guitarist. There is a brief flashback as John looks at a cracked mirror and remembers how it became cracked. As to why it’s included at all, I don’t know. After the flashback scene, Killroy 2.0 enters, but we don’t know that’s his name, because we are looking through the eyes of the character. And he isn’t called Killroy 2.0 in the chapter. In fact all the character’s names remain a mystery to John. And even though the listener knows, or should know, all the names from the previous chapter, there is a sense of mystery about them. It’s almost as if J.C. hit the reset button on the story. But instead of it feeling like you died and have to restart from the last checkpoint, it adds to the mystery with out stopping the flow of the story.
The mystery was not just who these people are, but also how they are related. I think it’s hard to pull off a double mystery that is compelling and believable all in one chapter, but J.C. Succeeds in doing just that.
The chapter is from the POV of a newly introduced character, Kenneth Kleinman. He knows exactly what’s going on and withholds that information from the listener for as long as possible. Until someone asks, “The billion dollar question.” That question being, “are we brothers?” and not “why are we here?” Even after listening to the entire podcast novel and knowing how events play out, I was still surprised that that was the question Kleinman was referring to.
Hutchins goes back in time after the first scene is done in order to tell the history of John Michael Smith starting from his inception. This would be mere telling, but J.C. intertwines that brief flashback seamlessly to the current narrative. It was as if it was a long dialogue-induced info dump that never happened. That part blew my mind at how simple it was, but at the same time creative.
The rest of the chapter plays out in this way and ends with the clones finding out why they’ve been summoned. Which was kind of weird way to end a chapter as I was more fascinated by the science and technology mentioned in the chapter. I mean Hutchins introduced us to it and then sort of went: oh yeah, by the way we need you to stop the person you were cloned from. It changed subjects to quickly. But, still a good chapter nonetheless.