Powder Burns Episode 3: Weep for Me

The Blind Sheriff. Powder Burns

Episode three of this audio drama western takes us once again deeper into the backstory of the characters. This episode is very much a set-up for episode four. Or at the very least a moment of rest which ends on a cliffhangar.

This episode is under twenty minutes, but it feels more like ten. The pacing is fast and the tension ratchets up with every spoken word. Without this increase, this episode would feel like a sequel, rather than a scene. If memory serves correctly, this episode was just one long scene, but it’s not something you’re thinking about when listening. In fact I just thought of it as I was writing this review. So points for that. Hopefully my memory is still functioning properly.

As for the plot of this episode, there really is none aside from what was set up in episode two. Emmett is once again on the lookout for outlaw Monty Hogue. The real conflict comes from the clash of personalities of the Emmett and his deputy. The ramp up in tension in that one scene is exhilarating.

The episode’s conclusion is a cliffhangar. A confusing one at that. For the first time, we get a glimpse of what it’s like to view the world when blind. It may be the logline for the show, but the execution feels like a badly shot action sequence. The one’s with all close up shots and shaky camera work. Episode four was also released last month and will be reviewed next week. Until then I give you with a rating.

4/5 Stars

Powder Burns Episode 2: Father Abraham

The Blind Sheriff. Powder Burns

At first listen, this might feel like a filler episode, but in truth it blends a “reaction” scene with some great character development. Getting to know a character through any sort of plot is a higher form of storytelling and something that can easily turn into something which feels obvious. The dreaded “author’s hand” writing motif.

Powder Burns episode two manages to slip in bits of dialogue about the protagonist’s history that it feels natural. Much like episode one where there was a sense of depth in each line of dialogue–whether it was about the setting, character, or plot–episode two has fewer of those moments, but their quality exceeds that of the pilot.

The plot for this episode revolves around a mentally challenged boy who shot a bank teller, and now Emmett Burns has to decide what to do when the town wants the boy’s life for his crime. That’s the setup. Right from the start, the tension keeps ramping up until you get to the climax where it all comes together in a nice neat bow.

Most of this episode is self-contained, save for the last minute or so before the credits where it gives a glimpse of what episode 3 might be about. We’re Alive redefined the zombie story for me and Powder Burns is doing the same thing with the western genre. Hats off to them.

4.5/5 Stars